18/11/2009

Introducing the Artsy-Fartsy-Meter


I don't think I'm going to use it all of the time, but for future reference in film reviews, this post introduces the Artsy-Fartsy-Meter. It's a unidimensional, bipolar Likert-type scale; -5 corresponds to The Fast and the Furious and +5 is an early b&w Bergman. In Swedish. Without subtitles.

17/11/2009

It's a Bit Like Complaining to Deutsche Telekom

Prague's Franz Kafka International Named World's Most Alienating Airport

(Pointer)

16/11/2009

Around the Blogs, Vol. 34

1. Brilliant marketing idea and/or animal cruelty? (Video)

2. A guide to premature "best 2000-2009" music lists around the web.

3. Andrew Gelman vs. the median voter theorem: One, two.

4. Does doctors' (perceived) empathy have healing effects?

15/11/2009

Just Because There's Never Been a Blogpost Criticizing Malcolm Gladwell

I

Steven Pinker reviews Malcolm Gladwell's new book of old articles (all of which are available for free online), providing quite a good characterization of the strengths and weaknesses of Gladwell's writings more generally (pointer). Check out this quote (link added):
Gladwell frequently holds forth about statistics and psychology, and his lack of technical grounding in these subjects can be jarring. He provides misleading definitions of “homology,” “saggital plane” and “power law” and quotes an expert speaking about an “igon value” (that’s eigenvalue, a basic concept in linear algebra). In the spirit of Gladwell, who likes to give portentous names to his aperçus, I will call this the Igon Value Problem: when a writer’s education on a topic consists in interviewing an expert, he is apt to offer generalizations that are banal, obtuse or flat wrong.
And he goes on to point out a flaw I find much more annoying:
The banalities come from a gimmick that can be called the Straw We. First Gladwell disarmingly includes himself and the reader in a dubious consensus — for example, that “we” believe that jailing an executive will end corporate malfeasance, or that geniuses are invariably self-made prodigies or that eliminating a risk can make a system 100 percent safe. He then knocks it down with an ambiguous observation, such as that “risks are not easily manageable, accidents are not easily preventable.”
This technique is by no means exclusive to Gladwell. At least before I stopped reading it, this blog was almost all Straw We.

II

Earlier this year, I complained about Malcolm Gladwell's, um, creative use of the term "outliers". As my mind is in the habit of retaining the strangest of things, I recently remembered a comment from a blogpost of Gladwell's. The context is disagreement about car salesmen's strategies and Gladwell citing a particularly successful car salesman in support of his view. Which provoked the following comment:

When did sampling the 99th percentile of anything become a reliable sample? That's pretty shoddy fieldwork.

You gotta sample all the percentiles, or at least a reasonable range, to get quality data.

99th percentiles are usually known as "outliers."

No, they're not.

I submit that's where Gladwell got his book's title from.

14/11/2009

The World We Have Lost

In September 1972, Roxy Music appeared on prime time TV in the UK. It was their first national TV exposure, a three-minute appearance performing their first single.

And the way they looked and sounded stunned me, and a generation of mes.

But we had no video recorders, and of course there was no YouTube. There was no way whatsoever that I could watch that appearance again, however badly I wanted to. And the power of that restriction was enormous.

The only way I could get close to that experience was to own the song. I lived in the suburbs, so I had to ride my bike for miles before I could find a store that sold music, let alone one that had the record in stock. It was a small trial of manhood and an adventure.

But once I had that song, I could play it whenever I chose. I had to go on a quest of sorts to get it, but my need was such that I did it.
That is John Taylor, of Duran Duran fame, via Tyler Cowen.

I remember a veteran of the German punk movement telling me about an evening in the early 1980s - how after a concert in the parking lot, they all formed a huddle around someone's car, because in the car: a tape player, and in the tape player: a tape containing a recording of the new album of that new band from America everybody who knew said was so great. The band was called Dead Kennedys, and you couldn't buy their records in Germany.

I also remember the time when, if you wanted to see a specific old film, either it was on one of the three TV channels, or it was playing in the cinema, or it was tough luck. Even if you were a professional film critic.

Future musicians and filmmakers are going to be less passionate about their art. They'll also be more knowledgeable.

12/11/2009

Around the Blogs, Vol. 33: Econ ed.

1. The SES-mortality connection: An anomaly

2. A theory of economic inequality

3. "Slipperiness of the term 'riks aversion'"

04/11/2009

Pebbles, Vol. 20

1. The 100 most visited articles on Wikipedia in 2009

2. Natürlich aus Japan: Mein Kampf als Comic. Auf den ersten beiden Bildern sieht Hitler aus wie ein Japaner, auf dem letzten wie ein süßes Kätzchen.

3. Trying to quantify false rape charges: It's not easy.

4. "Gallup typically finds Americans perceiving increased crime in the United States, compared to the prior year. Only once -- in October 2001 -- has this not been the case."

03/11/2009

Weird World

From the Guardian:
Manchester United have submitted a claim of mistaken identity to the Football Association after Fábio da Silva was booked by Chris Foy against Barnsley in the Carling Cup.

Instead the offender – for a challenge on Jamal Campbell-Ryce – was his twin brother, Rafael.

My understanding of the rules is that a referee's on-pitch decision, even if demonstrably wrong, stands - except in those exceptional cases when it really shouldn't.

But then, sometimes it seems public offices aren't run much more professionally. Seht Roberts writes about something I've been wondering about on and off:

An example of “too big to fail” never mentioned in discussions of the financial crisis are big public-works projects: In spite of staggering cost overruns, which occur in practically every project, they are never stopped. The latest example is London’s Crossrail, a new train crossing London. Original estimated cost: 3 billion pounds. Current estimated cost: 16 billion pounds. And construction hasn’t started!

I heard a talk about why this happens. I think the speaker said there was no motivation to be honest. The companies that underbid dishonestly pay no penalty; the politicians that approve their dishonest bids risk nothing.
Same problem in Germany.

There appears to be a very simple and obvious solution to this problem: Pay the company responsible the agreed-on-beforehand sum X to do Y. How much it costs them to reach the well-defined goal is immaterial for the payment. Surely there is a very good reason why this isn't done? Surely?

01/11/2009

The Pro-Problem Bias in Movie Ratings

Film week post #6

A while ago Andy McKenzie argued that there are four biases in movie ratings: availability bias (nobody's seen all films, so all ratings, being inherently relative, are flawed), snobbery bias (o.k. films are rated as bad), anchoring-based bias (films that already command high acclaim are rated higher) and anti-foreign language bias (films in foreign languages get lower marks). I'll propose another one: pro-problem bias. The idea is that films which deal with "problem" topics, such as extreme poverty or genocide, get higher marks than is warranted by the raters' enjoyment of those films, explaining the otherwise mysterious presence of American History X on IMDb's list of top rated 1990's films. The idea is that, say, giving Schindler's List a 4/10 rating makes people feel like antisemites and that giving Hotel Rwanda 10/10 is cheaper than giving € 10 to a charity. I guess Leon Festinger would have agreed.

Testing this hypothesis requires a measure of people's enjoyment of a film other than self-report. Neuroscientist, we're counting on you!

From the CoR's Public Service Department

Film week post #5

I've recently been using best lists a lot to select films to watch, mainly those from TSPDT (a sort of meta-analysis of critics lists, biased towards old films) and IMDb (general fans, biased towards new releases). My general impression so far has been that TSPDT is a little too high-brow for me, while IMDb is a little too low-brow. So I've constructed a list of pictures that made both lists, and here it is. Leaving aside the quirks of my own personal taste, and having seen 117 of the 155 movies on it, this is the one list I would recommend to someone who wants to get serious about her moviewatchin'. As it is, the order is taken from the IMDb list. A more sophisticated approach would have used some point system to get combined ranking based on both lists. Somebody else do it.

29/10/2009

Pebbles, Vol. 19: Screen Special

Film week post #4

1. Movie enjoyability as a function of movie quality.

2. Tyler Cowen reviews The End of Poverty. Scathingly. Someone should ask him to write about Michael Moore's latest.

3. The utility of computers is sometimes exaggerated in films and TV series.

4. US films' domestic box office, without and with adjustment for ticket price inflation. No. 1 on the adjusted list is as expected, but have you ever heard of The Robe? Or It's a Mad, Mad, Mad World? Not I.

5. "Somewhat edgy gift for a person in the terminal ward."

27/10/2009

The CoR's Get Rich (But Not Quickly, and You'll Have to Work for It, too) Scheme

Film week post #3

There even is a word for it in German: Ostalgie, a blend of Ost (east) and Nostalgie (nostalgia), denoting the sentiment that somehow everything was better back then, when the party told us what to think. It has ebbed off now, but during the late 1990s/early 2000s, there was an outright mainstream fashion surrounding that view. I'm talking saturday night entertainment shows revolving around the eastern-style Ampelmännchen and Rotkäppchen sparkling. (Ironically enough, the GDR-style Ampelmännchen is alive and well in the eastern parts of Germany, as are those traditional east German products people really want. The latter is due to a thing we have called supply and demand.)

This trend didn't go down well with everybody. Some pointed out that, after all, the GDR had been a dictatorship, with well one hundred thousand people employed by the secret police. One commenter remarked that he was looking forward for the TV shows on how swell life was in the Third Reich.

The 1999 comedy Sonnenallee was sometimes seen as a part of the ostalgie fad. From Wikipedia's plot synopsis:
Michael (or 'Micha') is a 17-year-old growing up in communist East Germany (GDR) in the 1970s. He spends his time with his friends listening to banned pop music, partying and trying to win over the heart of Miriam, who is dating a West Berlin boy. Over the course of the movie his best friend Mario, falls for an existentialist, gets kicked out of school and subsequently discovers he is going to be a father. The closing of the movie upsets Micha's thus far idealistic life, as Mario sells out his ideals by signing up for military service to support his girlfriend and the child.
Sonnenallee and Goodbye Lenin, another lighthearted GDR-themed comedy, were criticized for being part of the retrospective glorification of the east German dictatorship, and when Das Leben der Anderen (The Lives of Others) was released, many breathed a sigh of relief: The movie, which chronicles secret police employee Gerd Wiesler's second thoughts about the morality of his actions while surveilling a playwright, finally displayed the GDR's ugly side.

But what's wrong with Sonnenallee? Did youths in east Germany have friends? Check. Were they into pop music? Check. Did they fall in love? Check. Did some get kicked out of school? Check. Did some of them become fathers at an early age? Check. The most inaccurate bit about the film is probably the Sonnenallee street's architecture. Why not set a film in a dictatorship but focus on aspects of life other than state oppression?

But I say let's go all the way with this: Let's have a film set in, say, 1935, in which the atrocities of the Hitler regime don't feature. I'm not being sarcastic here. Did youths in Hitler's Germany have friends? Check. Were they into pop music? Check (although they didn't call it pop music back then). Did they fall in love? Check. Did some get kicked out of school? Check. Did some of them become fathers at an early age? Check. If, for convenience's sake, you'd set it in a place where there are no Jews in the first place (rural Bavaria?), you should be able to make a nice coming-of-age comedy without ever lying about life in the Third Reich.

I mean, there's no such thing as bad publicity, is there? And boy, would you stir up a controversy! I'm talking prime time discussion rounds with pundits, film critics and professors of history. Cover stories in Spiegel and Stern. And as a minority but sizeable portion of the German populace likes getting information before forming an opinion, you'd almost be guaranteed a million viewers, even if your film is crap.

When the dosh is in, contact me by mail for bank details.

26/10/2009

Five Great Trailers

Film week post #2

Earlier, I linked to IFC's list of the 50 best trailers, but now having watched all of them, I'm under the strong impression that it might be better described as a list of original trailers (which are likely to be remembered by jury members). So, as a public service, here are the five best ones (as objectively decided by myself), including the trashy (#5), the surprising (#4), the clever (#4, #3), the funny (#5, #3), the elegant (#2) and the daring (#1):

5. Corruption (1968)



4. Red Eye (2005)



3. Comedian (2002)



2. The Man Who Wasn't There (2001)



1. The Shining (1980)

25/10/2009

Recently Watched

Kicking off the CoR's film week. If that's not your topic, see you in November.

Duo luo tian shi
(Fallen Angels) (1995): There's a killer and there's a prostitute, but never mind the little plot there is. This offering from Wong Kar-Wai (of Chunking Express fame) explores the idea of choosing to live on the off the field by means of style. Set entirely during the neon-enlightened Hongkong night, the film liberally mixes b/w and colour, uses unconventional camera angles and foregrounds pop music in a way that nowadays comes across as very 1990s, but in a good way. 7/10 if you're in the mood for this kind of thing.

The Hangover (2009): Having gone to Las Vegas with the intention of drinking themselves legless, our protagonists wake up the next day, can't remember a thing and try to find out what happened. Contains all the plot elements I could have thought of (So they were in a hospital? Really?), but, although it's clearly aimed at a teen audience, I found this film to be a decent enough way to spend 90 minutes. (6/10)

Unforgiven (1992): I can't see what all the fuss is about. An old gunman, who's not that good at gunning anymore, comes to town to gun down some baddies, and in the end there is a lot of shooting. (6/10)

Mr. & Mrs. Smith (1941): Not related to the Pitt-Jolie film of the same name, this romantic comedy might be seen to suggest that Hitchcock should have concentrated on thrillers. But how many pre-1941 Hitchkocks can you name that were better? (6/10)

Rocker (1971): One may wonder whether the, cough, cough, non-mainstream appearance of this German indie film is due to incompetence or choice. A bit of both, I guess. The real mystery, however, is how it made it onto the They Shoot Pictures, Don't They? list of the 1000 most critically acclaimed films ever. (4.5/10)

Tirez sur le pianiste (Shoot the Piano Player) (1960): In its heyday, the nouvelle vague was widely perceived as bringing a fresh approach to film aesthetics. Some fifty years later, it again looks fresh. In an old way. If you know what I mean. (6.5/10) And while we're at it:

Pickpocket (1959): With some films, I feel they would work better as a written narrative. The extensive voiceover used in this look at the bottom rung of society is no substitute for what you could do in a novel if you have a subject matter that's 70% character of the protagonist and 30% plot. An extra half point for the excellent scence at the train station in which wallets are swapped back and forth. Trivia section: Actress Marika Green (Jeanne) bears a striking resemblance to Nicolette Krebitz. (6/10)

Le salarie de la peur (Wages of Fear) (1953): This film about four men hired to drive trucks that are loaded with nitroglycerine over bumpy South American dirt roads is very solid suspense work indeed, never seeming long despite running for well over two hours. Its stellar reputation as a masterpiece, however, may also have something to do with the fact that this is a b/w 1950s French film, but a little more, you know, fun than your average Truffaut. Trivia section: In one scene, you can almost sort of see Véra Clouzot's nipples, very unusual in those days. (7/10)

A History of Violence (2005): Tom Stall appears to be a clean-cut guy until his past comes back to haunt him, but from there on it's ugly, ugly, ugly. You shouldn't expect a romantic comedy featuring lots of cute puppies when getting a film called A History of Violence, but I can't say I enjoyed this gloomy slashfest. (unrated)

Elegy (2008): The Dying Animal, the Philip Roth novel this one's based on, is maybe my favourite of Roth's book, but it is short, introspective and not exactly plot-driven, thus not giving a filmmaker an awful lot to work with. Given that, the film delivers about as much as you can reasonably expect. An extra .5 points for Ben Kingsley's face. (6.5/10)

People I Know (2002): Pretends to be a thriller for a while and develops a lot of threads that are all dangling in the air when the film is over. I guess what the screenwriter had in mind was the tragic portrait of an ageing professional; as that kind of film, it fails. (4.5/10)

Fracture (2007): This crime/court thriller featuring Anthony Hopkins as the baddie is nice enough, but has a made-for-TV feel to it. And the ending's a bit hard to believe. (5.5/10)

The Village (2004): There seems to be some general agreement that M. Night Shyamalan's carreer after the excellent and wildly successful Sixth Sense is a failure. True, none of his films were as good as this big hit, but Unbreakable was a worthy follow-up, and Signs was a fine film, too. The Village, about nineteenth-century peasants who can't leave their hamlet because it is surrounded by woods inhabited by hostile creatures is also recommended. Visually very disciplined and using the colour red ("forbidden" because it attracts the creatures) to great effect in the few scenes in which it makes an appearance, it also features some of those plot twists Shyamalan loves so much. (7.5/10)

The Caine Mutiny (1954): Thorough as a German civil servant, this minor classic recounts the fictional mutiny on a 2nd world war American minesweeper, including prehistory, buildup, mutiny, preceedings before the court martial and coda (or whatever you want to call it). Entertaining in a conventional way, it almost appears like a conscious antithesis to anything artsy-fartsy and postmodern. Deductions for 1950s-quality special effects and Humphrey Bogart for confirming my long-held suspicion that he'd be found out by any role that involved substantially more than smoking. (6.5/10)

21/10/2009

Metaphor of the Day

Matthew Baldwin is reading Dracula (the original Bram Stoker novel):
Like all parasites, vampires are unable to “live” without siphoning off the energy of others. [... They] don’t kill their victims outright, they feed from time and time, dropping in for a snack whenever the mood strikes. They don’t prey on humans so much as farm them.

[...]

In a funny way, the Lucy chapters struck me as a extended allegory of the current Wall Street bailout, as every day taxpayers are asked to roll up their sleeves and give blood, and every night their contributions are handed over to disreputable individuals, many of whom probably also live in castles.
Click on the link to read infinitedetox's idea on how this thought could be extended into a kind of new American Psycho, only more entertaining.

20/10/2009

Around the Blogs, Vol. 32: Cows, Kids, Booze and Freaks

1. The effect of naming cows on their milk production and the other winners of the latest Ig Nobels

2. "With the card, people who got into trouble for, say, minor crimes or drunk and disorderly conduct in public would receive a fixed penalty notice and 3 points on their entitlement card with points disappearing over time for in the same way works on driving licences." The idea of a drinker's license.

3. Did having kids ever make economic sense?

4. "Possible models for Freakonomics 3" Or Superduperfreakonomics as it will probably be called.

18/10/2009

The Death Penalty

Everybody has an opinion on that one, no? Either it's "Yeah! Let the punishment fit the crime!" or "God, no! It's barbaric!" Now, I think it's fine to have emotional reactions to practices, but surely whether the death penalty saves lives, costs lives or is neutral in that respect should play a huge role in whether you support it, oppose it or take an agnostic position, no?

Where I live*, everyone opposes it. The only person I've ever met who advocated the death penalty (for O.J. Simpson specifically) was an American tourist. Seriously. If I wanted to, I could memorize the citations to some studies which suggest the death penalty saves lives and have a bit of fun arguing in its favour at the next party I'll go to. In theory, people could counter my arguments citing studies that suggest the death penalty does not save lives, or is even harmful in that respect ("brutalization effect"), which also exist. But of course people don't know those studies.

People. They're really not my type.

I may or may not be too agreeable a person to actually do this; we'll see about that.

Now, I know you come to this blog for the positive vibes. O.k.: Here's a photo of a puppy:


Feeling better?

______
*When I say "where I live" (and this goes for future posts as well), I don't just mean "Germany", but "where I live socially", i.e. the types of people I mingle with.

14/10/2009

Assorted Abstracts: War, Crime, Accidents, Death and Blogs

All of the papers mentioned below many well be worth their own post, but I'd have to read them first. They've all been hanging round my desktop for a while now and I just can't seem to find the time. But you may. Links on the titles are to full texts (pdfs or html). My comments are in italics.

Enrico Spolaore and Romain Wacziarg: "War and Relatedness"

We develop a theory of interstate conflict in which the degree of genealogical relatedness between populations has a positive effect on their conflict propensities because more closely related populations, on average, tend to interact more and develop more disputes over sets of common issues. We examine the empirical relationship between the occurrence of interstate conflicts and the degree of relatedness between countries, showing that populations that are genetically closer are more prone to go to war with each other, even after controlling for a wide set of measures of geographic distance and other factors that affect conflict, including measures of trade and democracy.

This sounds highly surprising; I would have predicted the opposite.


Dave E. Marcotte and Sarah Markovitz: "A Cure for Crime? Psycho-Pharmaceutical Sales and Crime Trends" (Preliminary)

In this paper we consider possible links between the advent and diffusion of a number of new psychiatric pharmaceutical therapies and crime rates. We describe recent trends in crime and review the evidence showing mental illness as a clear risk factor both for criminal behavior and victimization. We then briefly summarize the development of many new pharmaceutical therapies for treatment of mental illness, which diffused during the “great American crime decline.” We examine limited international data, as well as more detailed American data to assess the relationship between crime rates and rates of prescriptions of two main categories of psychotropic drugs—antidepressants and stimulants, while controlling for other factors which may explain trends in crime rates. Our goal is to see if increases in prescriptions are associated with changes in crime rates. Any observed reduction in crime as a result of higher prescription rates would suggest that expansions in mental health treatment may have substantial benefits for society as a whole beyond improved health.

Potentially very important. The explanation for The Great American Crime Decline ca. 1995-2000 that has found most acceptance is the decline in open (street) crack markets. Must read!


Jaroslav Flegr, Jiří Klose, Martina Novotná, Miroslava Berenreitterová and Jan Havlíček: "Increased incidence of traffic accidents in Toxoplasma-infected military drivers and protective effect RhD molecule revealed by a large-scale prospective cohort study"

Background
Latent toxoplasmosis, protozoan parasitosis with prevalence rates from 20 to 60% in most populations, is known to impair reaction times in infected subjects, which results, for example, in a higher risk of traffic accidents in subjects with this life-long infection. Two recent studies have reported that RhD-positive subjects, especially RhD heterozygotes, are protected against latent toxoplasmosis-induced impairment of reaction times. In the present study we searched for increased incidence of traffic accidents and for protective effect of RhD positivity in 3890 military drivers.
Methods
Male draftees who attended the Central Military Hospital in Prague for regular entrance psychological examinations between 2000 and 2003 were tested for Toxoplasma infection and RhD phenotype at the beginning of their 1 to1.5-year compulsory military service. Subsequently, the data on Toxoplasma infection and RhD phenotype were matched with those on traffic accidents from military police records and the effects of RhD phenotype and Toxoplasma infection on probability of traffic accident was estimated with logistic regression.
Results
We confirmed, using for the first time a prospective cohort study design, increased risk of traffic accidents in Toxoplasma-infected subjects and demonstrated a strong protective effect of RhD positivity against the risk of traffic accidents posed by latent toxoplasmosis. Our results show that RhD-negative subjects with high titers of anti-Toxoplasma antibodies had a probability of a traffic accident of about 16.7%, i.e. a more than six times higher rate than Toxoplasma-free or RhD-positive subjects.
Conclusion
Our results showed that a common infection by Toxoplasma gondii could have strong impact on the probability of traffic accident in RhD negative subjects. The observed effects could provide not only a clue to the long-standing evolutionary enigma of the origin of RhD polymorphism in humans (the effect of balancing selection), but might also be the missing piece in the puzzle of the physiological function of the RhD molecule.

May this contribute to the explanation of long-term trends in traffic accidents?


Mikael Lindahl: "Estimating the Effect of Income on Health and Mortality Using Lottery Prizes as Exogenous Source of Variation in Income"

A vast literature has established a strong positive association of income with health status and a negative association with mortality. This paper studies the effects of income on health and mortality, using only the part of income variation that is due to a truly exogenous factor: the monetary lottery prizes of individuals. The findings are that higher income causally generates good health and that this effect is of similar magnitude as when traditional estimation techniques are used. A 10 percent increase in income increases good health by about 0.01-0.02 standard deviations.

Very important. Among other things, this suggests that Gottredson's explanation for the SES-health link, which I blogged about earlier, is wrong.


Alexia Gaudeuly, Laurence Mathieuz and Chiara Peroni: "Blogs and the Economics of Reciprocal Attention"

We argue in this paper that attention to one’s blog is won by paying attention to other bloggers. We derive properties of blogging networks from a model where bloggers trade attention and content. The predictions from the model are then checked against a novel dataset from LiveJournal, a major blogging community. As predicted, the activity of bloggers is found to be related to the size and level of reciprocity within a blogger’s relational network. We also find that bloggers who do not adhere to reciprocity norms are sanctioned with a lower number of readers.

Doing research on blogging may be a cheap trick to get your paper blogged about. It worked in the case of this blogger (sort of), but maybe the results are a bit too unsurprising to make more of a splash. Better to do reasearch on dead fish.

Given my nonmatching downloading and reading habits, "Assorted Abstracts" may become a regular feature.

13/10/2009

The CoR's Party Service

Only three more workdays to the weekend! If yours brings a party, you may find yourself in the vicinity of someone who's harping on about how Obama didn't deserve the Nobel Peace Prize. In which case you may want to point out that Elinor Ostrom was a good pic for the economics Nobel. (Make sure to quickly grant it isn't "a real Nobel" before some smartarse grabs his five seconds of very limited fame.) Have no clue what her work's about? Here's a good introduction to the problem she worked on, by herself (pointer: Will Wilkinson):



If you're feeling a little more adventurous, you may want to point out that it's curious that German writer Herta Müller was announced as the winner of literature's highest prize while German football club Hertha Berlin occupied the Bundesliga table's lowest position. Just an idea.

06/10/2009

Short Reviews Backlog, Pt. 2: Films (a)

Almost Famous (2000): Although the film is good to very good in other respects, it must be said that the screenplay's really formulaic; it's even got a scene set inside an airplane which is on the verge of crashing and everyone starts saying things they later regret. Just goes to show that setting is a very important aspect of a film - underrated, really - and the early 1970s rock star scene works much better for me than most. (7.5/10)

Being There (1979): The cinematography is ugly, the tempo is glacial, the screenplay is going nowhere, and generally it's remindful of Harold & Maude, only much worse. (3/10)

Charley Varrick (1973): Walther Matthau plays a hardcase. Really. If you've ever seen an episode of The Fall Guy, that gives you a good idea of the film's general aesthetics. O.k., the film's a bit better than that. (5/10)

Double Indemnity (1944): What was Wilder thinking? It's an obvious mistake to give away the ending right at the beginning! Apart from that, a charming crime movie from the olden days. And another one of the "must-sees" off my list. (6.5/10)

Hollywoodland (2006): I have next to no recollection of this movie (read all about it at Wikipedia), but do remember that I didn't like it as little as that suggests. 6/10, I think.

Metroland (1997)/SuperTex (2003): Two films that manage to completely suck the charm out of the pretty good books they're based on. And I can't even tell you how they did it. (4.5/10 each)

No Country for Old Men (2007): The opposite phenomenon here. It's basically just a series of shootouts - I was surprised to learn it's based on a short novel - but, strangely enough, it works very well. Sure, the cinematography's great, but that alone can't explain it. Steve Sailer thinks that the films solves the problem of bringing the pleasures of the first-person shooter game to the big screen by, paradoxically, slowing the action down: "the plot winds up as anti-climactically as most video game plays, with the (male) viewer wanting to try it again so the hero won't make the same mistakes twice." Hm. (7.5/10)

Various 1990s action flicks with Harrison Ford: These are all very formulaic/mainstream/professional easy viewing products which are just the right thing when I'm too tired to digest a masterpiece. A collective 6.5/10. (In at least one of them he plays a CIA employee. One of them is called Firewall. There may or may not be overlap between those.)

Touch of Evil (1958): I think I remember a time when there was a law in Germany which said that when you talk about Im Zeichen des Bösen, as it was called over here, you must make fun of the fact that Charlton Heston was cast as a Mexican. A quick Google search, however, suggests that law was abolished before that whole internet thing took off. Internationally, Touch of Evil seems to enjoy a somewhat more positive recognition (e.g., #14 of the top rated 1950s titles at imdb.com). And it should. The story isn't all that important, but Welles creates an athmosphere which might best be described as Kafkaesque and splashes canvas after beautiful b/w canvas onto the screen. Also features one of those multi-minute, uncut opening scenes I am quite a sucker for. (8/10)

05/10/2009

How Many Self-Controls?

Just when I had decided that my little psychology idea was too half-arsed to publish on even this blog, along comes one of the world's most famous psychologists - Martin Seligman - to support the idea with a personal anecdote:
Some theorists, like my friend Roy Baumeister, believe that self-control is a general trait. My experience with weight-loss versus exercise belies this. I have weighed 95 kg for the last twenty years, and I have dieted a dozen times only to return to 95 kg each time, usually after losing about 5 kg. No self-control? Hardly. Eighteen months ago I took up walking, knowing that 10,000 steps per day halves cardiac risk for someone my age and with my profile of risk. I have walked an average of 14,000 steps per day ever since and my New Year's resolution is 5,000,000 steps in 2009. I am well on track to my goal. So self-control is for me highly domain specific. For you?
The half-arsed idea was not that self-control is highly domain-specific, but that what we call self-control seems to actually be (only) two abilities: (i) The ability not to do something pleasant that you think you shouldn't do and (ii) the ability to do something unpleasant that you think you should do. If there is some truth to that, Seligman seems to be good at doing something (walking) but not at not doing something (eating); I think I'm the opposite.

While I'm at it, let me suggest that which one people are good at shows a decent correlation with how prone they are to be active more generally. Having said that, it seems entirely possible that people are good or bad at both; I would think the two are in fact somewhat positively correlated.

I know, it sounds like there is a contradiction in the above paragraph, but I don't think there is.

04/10/2009

It's Sneaky Swede Sunday

It's almost a year until the next World Cup starts, but the mind games have already begun:
He helpfully explains:
"It's the World Cup and, I suppose, as always, England have already won the World Cup before they have started it," said Eriksson. "The expectation is going to be huge. But I really think they can do a great World Cup, [get to the] semi-finals or the final. England has a good chance and I hope they reach the final and win it. They can do it, for sure.

"[...] The pressure is from a combination of the media and the public. On one hand it's ludicrous. But it's dangerous. I wished when I had the job that I could calm it down. Not a chance."
Nice job, Sven!

Why I Am Not a Libertarian: Murray Rothbard Explains

I'm probably more libertarian than at least 95% of the people here in Germany. I am not, however, a libertarian in any useful sense of the word. Archlibertarian Murray Rothbard, in his sketch of the US's classical liberal movement's history, quite nicely describes why*:
[The 19th century saw] the abandonment of the philosophy of natural rights [by many], and its replacement by technocratic utilitarianism. Instead of liberty grounded on the imperative morality of each individual's right to person and property, that is, instead of liberty being sought primarily on the basis of right and justice, utilitarianism preferred liberty as generally the best way to achieve a vaguely defined general welfare or common good.
Of course, once you abandon imaginary "natural rights" and kindergarten categories such as "justice" in favour of utilitarian calculus, you might end up with views that are not libertarian at all.

______
*For a New Liberty: The Libertarian Manifesto. Rev.Ed. New York, London: Collier Macmillan, p. 15. This is from the first chapter and I've only browsed the remainder of the book, but based on that I can say that Rothbard is not shy of using utilitarian arguments for libertarianism. That's a bit odd if libertarianism is right regardless of the consequences.

30/09/2009

Around the Blogs, Vol. 31: 34 Years with Against Our Will

I would probably have to quit my job if I wanted to keep up with the commentary concerning the Polanski case that can be found around the web. Even so, a few links:

1. Ann Althouse picks apart Berndard-Henry Lévi's petition; her son John joins the fun.

2. Ace of Spades asks, taking an argument used by many of Polanski's defenders seriously, "What Crimes May Celebrites Commit, Based on Their Artistic Contributions?"

3. Will at The League of Ordinary Gentlemen thinks that " [t]he only 'divide' [concerning views on the case] is between people who recognize that child rape is a heinous crime (read: pretty much everyone, conservative, libertarian and liberal alike) and our amazingly blinkered media/film establishment" and has a general go at Polanski defenders.

I know what he means, yet it particularly baffles me how people supposedly on the left can rush to the director's defense. I mean, we're talking about a rape case involving a thirteen-year-old girl and a (i) rich, (ii) well-connected, (iii) white (iv) male.

You don't even have to do any thinking. Just tick the fucking boxes!

29/09/2009

The Top Ten Reasons a Man Accused of Drugging and Ass-Raping a Thirteen-Year-Old Shouldn't Be Arrested

Yesterday I linked to Kieran Healy's piece on the recent arrest of a certain director, which you could call anti-Polanski. In the interest of fairness, today we'll hear it for the other side.

10. Bad things have happened to him:
"a new ordeal is being inflicted on someone who has already experienced so many of them" - Frederic Mitterand; also see Anne Applebaum

9. He's old: "I am shocked that any man of 76 [...] should have been treated in such a fashion" - Robert Harris

8. It was sooo long ago: "[The order] is based on a three-decade-old case" - Debra Winger

7. One can come up with a new category: "I know it wasn't rape-rape. It was something else but I don't believe it was rape-rape." - Whoopie Goldberg

6. He couldn't go to the USA or else he would have been arrested earlier: "He could not return to Los Angeles to receive his recent Oscar. He cannot visit Hollywood to direct or cast a film." - Anne Applebaum

5. The not-piling-'em-on-clause: "He hasn’t committed another crime." - bob mcmanus

4. He didn't want to be punished in the first place: "Polanksi's decision to flee is understandable." - Andrew Hammel

3. Mitigating circumstances: "It's a grey area when mama's in the building." - Woman in red dress in the first clip; anybody know her name?

2. Cost-benefit analysis: "through his films, he has brought good into the world." - a; also see The Swiss Directors' Association and Debra Winger

1. Overly crafty method of arrest: "The Swiss [...] were laying in wait, as they knew Polanski [...] was en route to accept an international film award." - Jeralyn

28/09/2009

Around the Blogs, Vol. 30

1. Pinin' for the fjords

2. I considered writing something about how various people made asses of themselves commenting on the recent arrest of Roman Polanski. But Kieran Healey's already pretty much expressed my opinion, although I don't think I would have brought the Irish into it.

3. Fake or not fake? I say fake.

4. Wir sind Pub.

Höhepunkte des Deutschen Politikjournalismus

[19.55] Und was sagt Barack?

ARD-Mann Ulrich Deppendorf fragt die USA-Korrespondentin Hanni Hüsch, wie denn in Amerika die Kommentare zur deutschen Wahl lauten. "Es gibt noch keine", sagt Hüsch.
Aus dem Wahl-Liveblog von SpOn.

27/09/2009

Election Day

1. A few years back, a friend of mine had a job doing part of a survey at a polling station; this also involved reporting the final vote count to headquarters, so she had to stick around until the very end. After the third count had yielded yet another result, the bloke sort of in charge (but with no real authority) announced that it was late and he wanted to go home and why not take the average of the three counts for each party and candidate? This was agreed upon. Democracy in action, baby!

2. Given my recent overwhelming success with a similar prediction, let me guess that these will be the national elections with the lowest participation rate in the history of the Federal Republic of Germany. I don't even know what the number to beat is, though I'll guess that anything under 75% should do. Really, I'm too lazy to look this up. Update probably between six and seven CET.

Update 17:39: Just seen that election turnout by two o'clock indeed suggests a new record low; trust me, hadn't seen those numbers when I wrote the first version of this post. The article also informs us that the number to beat is 77.7% (from four years ago).

Update 21:17: The final numbers aren't in yet, but turnout seems to be in the 72% region.

Update 28-09: The official number is 72.2%.

26/09/2009

Tilt and Shift

Here's the video Bathtub IV by Keith Loutit:



The technique used is apparently called tilt and shift. When I first saw this video and others by Loutit I thought, "shouldn't this bloke be doing music videos for big bucks?" Now, via John Althouse Cohen's list of not-quite-best songs 2000-2009, I've come across the clip for Thom Yorke's "Harrowdown Hill" (both pages may take a while to load). It's not by Loutit, but appears to use the same technique. I rarely watch music videos, so I can't really know, but I have a suspicion that in a few years' time, tilt and shift will be seen as sooo 2009.

Pebbles, Vol. 18

1. Data sharing again: Only one of ten data sets for studies published in PLoS journals received upon request. Related posts here, here and here.

2. For those who have the time: Milton Friedman's complete Free to Choose TV series as streaming video. Based on the first half hour or so, this moves at a glacial pace, so it may be a more efficient choice to read one or two of Friedman's books.

3. Cool optical illusions. Lots of them. (Page may take a while to load.)

4. Libertarian disagreement about the bailout: "The only plausible argument for bailing out banks crumbles on close examination," says Jeffrey Miron. Tyler Cowen asks, "is not our current course more favorable for liberty than would have been a repeat of 1929-1931?" And says yes.

Die deutsche Kultur

I Musik
Wer wegen der ärmlichen Medienlandschaft nie Gelegenheit hatte, gute Soul-Sänger zu hören, der wird nichts Anstößiges daran finden, wenn im Fernsehen bemitleidenswerten deutschen Vorstadtjugendlichen, die auf eine Weise, die man nur als hartnäckig, verbissen oder eisern bezeichnen kann, auswendig gelernte Blues- und Gospelprhrasierungen herunterexerzieren wie eine unverstandene Schiller-Ballade, attestiert wird, sie hätten "wahnsinnige Soul-Stimmen".
- Max Goldt*

II Film
Germany produces plenty of mass-market comedies and dramas for just plain folks. The problem is that movies that are supposed to tackle 'ambitious' themes often turn out so dreary.

People in the German film industry tell me there's a norming process that controls access to German film subsidies. Directors have to convince committees of tastemakers to fund their projects. The filmmakers themselves, and the tastemakers, have strong preferences and prejudices. They consider themselves proudly allergic to "Hollywood" -- which they associate with Ken and Barbie actors, canned happy endings, staged dramatic confrontations, stereotyped confrontations between good and evil, unnecessary explosions, action-movie cliches, etc. They're looking for interpersonal drama, for social commentary, for moral ambiguity -- "anti-Hollywood" qualities. In fact, I've personally seen film scripts that have come back to aspiring directors with passages marked "too Hollywood."

The problem, according to my sources, is that a lot of these tastemakers and directors eventually come to stamp the dreaded "Hollywood" label on any enhanced storytelling technique -- such as suspense, or a happy ending, or a voice-over. Endings in which everything turns out basically OK will be choppped and replaced with ambiguous fade-outs. Pleasant, likable characters who we're supposed to identify with will be criticized as too "one-sided" or "subjective." Humor that's considered too broad (by stuffy Bildungsbuerger) will be squelched. The end result of this process is films that end up bland and wishy-washy even when they're supposed to be provocative.

- Andrew Hammel


III Sprache

Eine Pastorin, der im öffentlich-rechtlichen Rundfunk Sendezeit gegeben worden war, hörte ich heute morgen folgenden Ausdruck benutzen:
den Seelenanker werfen
Ich habe nicht genau hingehört, aber ich glaube, es sollte eine Metapher für das Beten sein. In einem Liedtext der Gruppe Pur kommt es zu der Wortkombination "Seelen aneinander reiben".

IV Zusammenfassung

Gleich drei gute Gründe, Sui- und/oder Homizid zu begehen. Das kann ja ein lustiges Wochenende werden!

______
*"Die Stabilität der Tomatenschelte", S. 135-43 in: ders.: QQ, Reinbeck: Rowohlt, hier S. 140

25/09/2009

Money, Mouths and Early Childhood Intervention Programmes

Earlier this year, Bryan Caplan wrote:
I have a dream that one day, people who refuse to bet on their statements will be viewed with greater contempt than those who bet and lose.
He is thinking of public figures putting their money where their mouth is, as in the famous Simon-Ehrlich wager. Now Michael Mandel writes that US congressman Jared Polis has a similar idea:
Polis, with a long history as an entrepreneur and an education supporter, was discussing ways to get the private sector to invest in desirable social goods, such as early childhood education. His point (broadly interpreted by me) was that there is a systematic market failure: Even if the social return on investment in early childhood education is high, as the data seems to show, there’s no way for private investors to take advantage of these opportunities.

In particular, the data seems to show that improving early childhood education seems to reduce a wide variety of government expenses, including crime and prisons. Polis suggested creating securities where private investors could put money into early childhood education, and at some point in the future get a share of the cost savings.
Charles Murray comments:
I think we all ought to get behind this idea, and thereby prompt some unsentimental hedge-fund guys to take a hard look at the claimed returns for early childhood intervention and the data that are being used to support those claims. I predict their technical conclusion will be “You can’t be serious.”
I've seen next to nothing of the relevant literature; what I have seen are wildly conflicting claims on the efficacy of early childhood intervention programmes that try to reduce various social ills - and from serious-seeming sources, too. As I still don't feel like reading up, I say let the games begin.

(Pointer)

Contemporary Germany Summed up

From Andrew Hummel's translation of Max Goldt's text "Empor aus dem Kehricht steigt die Diva":
Indiscretion and chattiness – indeed, those are the most objectionable traits nowadays. To be sure, Germans are normally accused of humorlessness. And since the German middle classes, the “mainstream,” have lately become accustomed to pre-empt and amplify every criticism from outsiders, they have, for quite a while now, been the loudest in denouncing their own humorlessness.
There's not a thing on earth the stupid educated masses in this country nowadays fear as much as being accused of doing something that's "typically German." Not realizing that their tense attempts at being as easy-going as the Italians may be a wee bit self-defeating, they have swept away all the virtues that I'm old enough to remember once characterized this country, such as seriousness where seriousness is due, a general fondness of being exact and, yes, punctuality. Should pop sociologists one day come up with a list of the ten norms in world history that were supposedly deeply ingrained in a country's culture, yet disappeared very quickly, a possible absence of "punctuality in Germany, ca. 1999-2002" should be taken as evidence that the method which was used to construct the list was faulty.

23/09/2009

Sweeping Hypothesis of the Week

I suspect that all common diseases are caused (= made much more likely by) differences between modern life and Stone-Age life.
That's from Seth Roberts. Is he right? I have no idea, but I like my hypotheses sweeping.

Around the Blogs, Vol. 29

1. "Going back to AA"

2. How cool an idea for a blog is that? Significant Objects assigns an author to an object to write about, then sells the object on ebay and pays the author with the proceeds. For example, check out J. Robert Lennon's rather good one-sentence story about a choirboy figurine.

3. "Random Thoughts" (pointer)

4. On the occasion of the UK release of a CD box containing all The Beatles' songs mono mixes, Andrew Hickey writes more insightfully about the band's albums than I ever could. So far: Mono Masters, Please Please Me. Would have preferred to link to a tag, but there is none that works. Wordpress bug? Never mind. Added: This link works.

5. Crazy Japanese man

22/09/2009

Eleanor Rigby

People talk about our subconscoious like it's the South Pole and it required vast amounts of technology and determination to finally reach the place. How do we know there aren't five or six hidden layers of personality. Or sixty-two.
If you believe in Freud's Es (id), try answering that one. By now, psychologists have established beyond reasonable doubt that there are cognitive processes that never become conscious (yet have the potential to influence behaviour)*, but this has no resemblance to the Rwanda ca. 1994-style place that Freud envisioned our subconscious to be.

The quote is from p. 205 of the novel Eleanor Rigby. What's it about? Let's ask the book cover:
Liz has red, curly hair. She has never been married. She is lonely. [You know the concept 'lonely', right? No?] Her house is like 'a spinster's cell block' [Get it? No?] and she may or may not snore - there's never been anyone to tell her. [That'll really have to do.] Now, all at once, the loneliness that has come to define her [Just a reminder. Sorry, I was on a roll.] is ripped away by a funny, smart, handsome young stranger. His name is Jeremy. And he is her son.
Yeah, I know, that sounds like the plot of a bloody tearjerker/romantic comedy that has Sandra Bullock in the starring role (and this is what my copy's cover looks like). But fear not! The book is by Douglas Coupland and hence good (7/10). Really, it's a reminder that knowing the plot tells you next to nothing about a narrative work of art's quality - just compare, say, Much Ado about Nothing to whatever soap opera you can think of first.

______
*As an example, the first abstract I came across googling subliminal priming.

The Multicollinearity Problem

They say sociology is harder than physics because atoms don't ascribe purpose and meaning to what they do. Turns out this may also be a problem for epidemology (click to enlarge):


P.S.: Link to comic's homepage

P.P.S.: Some spell "colinearity", some spell "collinearity". Google indicates both are about equally common.

P.P.P.S.: The multicollinearity problem at Wikipedia

21/09/2009

The No Fucking Clue Constructivist View of Survey Answers

Eric Crampton points me to this:
Recent surveys that have tried to gauge Americans' opinions about capitalism reveal either a public terribly confused about it, or remarkably perceptive about differences between its theory and its American manifestation. In the dark days of December 2008, as General Motors careened toward bankruptcy, a poll by Rasmussen Reports found 70% of voters endorsing a "free market" over any economy steered by government. A subsequent poll, just months later, found only 53% endorsing "capitalism" over socialism, while a third, around the same time, found that two out of three Americans believe government and big business collude in ways that hurt consumers and investors. "The fact that a 'free-market economy' attracts substantially more support than 'capitalism' may suggest some skepticism about whether capitalism in the United States today relies on free markets," said pollster Scott Rasmussen, trying to square the results. Americans seem to believe in free markets; they're just not sure they're getting them.
That's not the only explanation.

First off, one shouldn't really put too much faith in poll results unless one has seen the questionnaire, and here we're talking about two on different questionnaires. But let's assume they are comparable and the different results don't reflect a true shift in opinions or differences in sampling. Then I still have another explanation: People don't have a fucking clue what they're talking about, and anything with "free" in it sounds good.

This points to a more basic problem. Almost everybody, when writing about surveys, seems to think of surveys as follows: There is an opinion stored in the respondent's head and surveying him is the process of downloading a true copy of this opinion into the pollster's database. But that is best seen as one endpoint of a continuum on which answers can fall, the other being that opinions are constructed on the spot, as a reaction to the situation of being asked, and hence under a strong influence of how the questions are asked. We know such an influence exists because even the order in which questions are asked can make a huge difference. For example, if you want to produce only weak support for a law which allows pregnant women to freely choose abortion under any circumstances, take a question stem which asks under which circumstances the respondent thinks a woman should have the right to abort and start your list with some really gruesome scenario - say, the child is the result of a rape and is going to be severely disabled and the birth will put the mother's life seriously at risk. Ask about "normal" circumstances only last. If you want strong support for women's choice, do it the other way around.

This problem is exacerbated because many people give an opinion when they don't have one. We know this because respondents have given opinions about fictional ethnicities and claim to know politicians that don't exist (8% of them in the textbook example* I'm looking at).

This is the kind of stuff I would think about before coming up with theories about semantics as influenced by bailouts.

Added: Also via Eric Crampton, the taking-the-piss view of survey answers.

______
*Andreas Diekmann, 1996: Empirische Sozialforschung: Grundlagen, Methoden, Anwendungen. 2nd ed. Reinbek: Rowohlt, p. 386

20/09/2009

Short Reviews Backlog, Pt. 1: English-language Fiction (a)

There haven't been a lot of posts recently, in part because my mind spent its limited cognitive and emotional capacities on coming to terms with recent family issues - lots of death, hospitalizations and hard feelings recently - but it now seems most of the work on this front is done (though you never know what the next phone call will bring), and also work proper will not be too demanding during the coming week, so I hope to get out some long-planned posts these coming days.

A main part of this will be to work through my review backlog. The plan at the start of the year was to review every film and book I finish, but it seems that around March or so, this idea somehow got forgotten. So here's part 1: Some of the English-language fiction books I can remember. (Links on the books' titles lead to Wikipedia.)

1. A.S. Byatt: Possession (1990): The unsuccessful academic Roland Mitchell finds hitherto unknown notes by Victorian writer Randolph Henry Ash, which lead to a stack of letters by the famous author. Will the literary history have to be rewritten? As Roland tries to solve the mysteries of the past, rivals try to wrestle the discovery from his hands. (Hey, nobody ever said it was hard to write those crappy little texts they put on the covers of paperbacks.) - Byatt's present-day narrative is interspersed with texts by (fictional) Victorian authors. It's a good idea in theory, but in practice most of those (which make up about a third or fourth of the novel) aren't terribly good literature. I'm not complaining because this makes the premise of the story incredible (nowhere is Ash described as some sort of literary genius), but rather because they weren't that much fun to read, quite in contrast to the present-day strand of the book. In other words, I would have liked the novel to be a little more like a Tom Wolfe book and a little less "literary". (7/10) (I quoted bits from the text here and here.)

2. Dick Francis: Second Wind (1999): One of those thrillers that, like most of them, aren't particularly thrilling, but nice enough ways of spending one's time on the underground. (6/10)

3.-4. Philip Roth: Everyman (2006), Indignation (2008): In both of these short novels by Roth, who was born in 1933, death takes centre stage. In Everyman, a friend's funeral triggers the unnamed protagonist's rememberance of relationships past, which, in summary, he didn't handle too well. Indignation chronicles the clash between college student Marcus Messner and the restrictions imposed by 1951 US society. While Everyman is the heavier of the two books and will probably remain a critics' favourite in decades to come, Indignation almost seems like a small project chosen by the author to give him time to breathe between more demanding tasks. Yet Roth's craft turns even this one into a work of fiction that is nowhere near average. (8 and 7.5/10, respectively) (And here's J.R. Lennon on Indignation.)

5. Douglas Coupland: Hey Nostadamus! (2004): It deals with a school shooting and midlife crisis and psychics, but none of this is really important; what's important is that it's written in Coupland's usual style, only more so - it's almost as though there's light shining through the pages. Reminded me of the fact that he wrote the liner notes for Saint Etienne's Sound of Water album and how that's a perfect choice of author if there ever was one. (7.5/10)

16/09/2009

The Practice of the Thinking Class

For those that didn't get what was meant by "quantitative bling" in a recent post, here (.pdf) is an illustration from economics professor David R. Hakes on writing an academic article and trying to get it published:
We managed to reduce the equations in the paper to six. At this stage the paper was perfectly clear and was written at a level so that it could reach a broad audience. When we submitted the paper to risk, uncertainty, and insurance journals, the referees responded that the results were self-evident. After some degree of frustration, my coauthor suggested that the problem with the paper might be that we had made the argument too easy to follow, and thus referees and editors were not sufficiently impressed. He said that he could make the paper more impressive by generalizing the model. While making the same point as the original paper, the new paper would be more mathematically elegant, and it would become absolutely impenetrable to most readers. The resulting paper had fifteen equations, two propositions and proofs, dozens of additional mathematical expressions, and a mathematical appendix containing nineteen equations and even more mathematical expressions. I personally could no longer understand the paper and I could not possibly present the paper alone.

The paper was published in the first journal to which we submitted.
To even things out, here's a case for peer review from Ben Goldacre.