Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

07/03/2015

Virtual Reality, or, What's So Great about Knausgaard?

I've only read the first two volumes so far, but here's the best answer I've yet seen to the question Why is Knausgaard so great - when really, with all the detail and mundane plotlines, he should be boring:
The answer lies not in Knausgaard’s depth of revelation so much as the intensity of focus he brings to the subject of his life. He seems to punch a hole in the wall between the writer and reader, breaking through to a form of micro-realism and emotional authenticity that makes other novels seem contrived, “made up”, irrelevant. As [Zadie] Smith put it: “You live his life with him. You don’t simply ‘identify’ with the character, effectively you ‘become’ them.”
There's so much talk about literature's ability to put the reader in someone else's head - this is often portrayed as the feature that most differentiates writing from other forms of art, and Steven Pinker even singled out the increase in putting-yourself-in-other-people's-heads caused by the invention of the printing press as the trigger that started the long-term decline in violence ca. 1500-2000. I've read a fair bit of fiction and some memoirs, but have never seen anyone doing it like Knausgaard does.

10/08/2014

Stereotypes in Narrative Art

Recently watched one of those shows in which four critics - it's always four - debate the quality of new books. Critic A said that a character in the novel in question was clichéd. No, said critic B, such women really exist!

Sigh. First, it would be a strange complaint about a fiction book to say something's not realistic. Second, a cliché is but a stereotype, and the existence of a stereotype does not mean it's not true. If anything, the opposite is the case.

Stereotypes in literature and other forms of narrative art can be a problem for a different reason: they're not cognitively challenging, allowing the mind to quickly call up information about the character, because it has this information stored and connected to the characteristics you're given. If your mind's in the mood for a bit of a challenge, it's likely to be bored by cut-out characters. But the unchallenging nature of clichéd characters can also be a virtue: It allows the storyteller to quickly dispense information.

Hence, a rule of thumb for telling stories: If the character's only there for performing a function, you might want to reach for the cliché. Minimum fuss for the reader, info received, move on to the important stuff. On the other hand, if the character's a main attraction of the story, you want to make the character somewhat interesting, hence somewhat challenging, hence somewhat non-clichéd. Of course, another aspect is your intended audience. It's no coincidence that children's TV shows feature very bland characters, and that the villains are particularly bland. Often, the villains are not themselves meant to be interesting, their only function is to act as adversaries and allow the heroes to defeat them.

It seems all of this is but a special case of a more general rule. After all, the same argument has been made with respect to clichéd metaphors.

18/04/2014

So That's the Way Scholars of Literature Write These Days

I went over to Google Scholar to test my hypothesis that there must be some scholarship on Dan Brown by now. And indeed there is. Among the first hits is an article by Victoria Nelson entitled "Faux Catholic: A Gothic Subgenre from Monk Lewis to Dan Brown", published in a cultural studies journal called boundary 2 (No, I don't know what boundary 1 is). It begins thus:
We’ve seen it on the big screen any number of times: the possessed woman writhing, screaming, face morphing (courtesy of computer-generated imagery) into a hideous leer as despairing relatives edge prudently away from the imminent prospect of projectile vomiting.

Demon possession, open-and-shut case. Who you gonna call?

Not your rabbi, imam, or Methodist minister. No, you want that Roman Catholic priest with his collar, cross, holy water, and Vulgate Bible—all the papist trappings that Protestant Americans shun in real life but absolutely demand for a convincing on-screen exorcism. A mild-mannered Episcopal reverend, a Southern Baptist preacher in a Men’s Wearhouse suit reciting the Lord’s Prayer in English over that tormented soul? I don’t think so.
If you think the writing style is an ironic take on pop culture, you're mistaken. The topic of Dan Brown is introduced with the phrase, "Looming over it all like the proverbial nine-hundred-pound gorilla is the Dan Brown phenomenon." And if you think that's a parody as well, this time of Brown's writing style in particular, I disagree. Brown would have written something like, "Nine-hundred-pound gorilla Dan Brown phenomenon was looming over it all, his eyes glowing like icicles in the mist."

It's been a while since I've read CultStud, but I don't remember authors aiming to write like sixteen-year-olds. But this just seems to be Mrs. Nelson's style. And, guess what? She teaches creative writing of all disciplines. Here's the somewhat unsettling opening bit from her teaching philosophy: "Teaching writing at the MFA level for me is an empathic act that amounts to entering my students’ imaginations".

Um, thanks, I'd rather not.

07/02/2014

Around the Blogs, Vol. 106


2. "Nonshared environment" might best be conceived of as noise, not environment, says Kevin Mitchell.

3. External validity alert: Are patients in medical trials selected for large treatment effects? (Andrew Gelman/Paul Alper)

4. Chris Bertram makes a surprisingly good case for the argument "Squeezing the rich is good: even when it raises no money".

5. "Is there no racial bias precisely because it seems like there is?" Ole Rogeberg takes us into the mind of the microeconomist.



8. 50 great book covers from 2013, collected by Dan Wagstaff (via)

9. The low-hanging fruit of immigration: Bryan Caplan offers another metaphor.



12. What's it like to hear voices that aren't there? (Christian Jarrett/L. Holt and A. Tickle)

07/01/2014

The Best Blog Posts of 2013

It's about time, so here.

As usual, brackets are appended to each link to indicate whether the post is Long, Medium lenght or Short; High-Brow, Mid-Brow or Low-Brow, and Funny or Not.

For other years' lists, use the tag.


15. Offsetting Behaviour: "Social Costs and HPV", by Eric Crampton

14. Discover: "Why Race as a Biological Construct Matters", by Razib Khan (L; HB; N)

13. The Power of Goals: "Home Sweet Home", by Mark Taylor (L; MB; N)

12. Crooked Timber: "New Tools for Reproducible Research", by Kieran Healy (S; MB; F)

11. German Joys: "The Metamorphosis (US Summer Movie) Elevator Pitch", by Andrew Hammel (S; MB; F)

10. Code and Culture: "You Broke Peer Review. Yes, I Mean You", by Gabriel Rossman (L; MB; N)

9. EconLog: "The Homage Statism Pays to Liberty", by Bryan Caplan (M; MB; N)

8. Scatterplot: "Annals of Self-Refuting Tweets", by Jeremy Freese (S; MB; F)

7. Overcoming Bias: "Future Story Status", by Robin Hanson (M; HB; N)

6. Gulf Coast Blog: "Defamiliarization, Again for the First Time", by Will Wilkinson (L; MB; N)

5. Armed and Dangerous: "Preventing Visceral Racism", by Eric S. Raymond (L; MB; N)

4. Askblog: "It Is Sometimes Appropriate . . .", by Arnold Kling (M; HB; N)

3. EconLog: "Make Your Own Bubble in 10 Easy Steps", by Bryan Caplan (M; LB; N)

2. Armed and Dangerous: "Natural Rights and Wrongs?", by Eric S. Raymond (M; HB; N)

1. Falkenblog: "Great Minds Confabulate Like Small Minds", by Eric Falkenstein (L; HB; N)

Thanks and congrats to all above.

25/11/2013

Assorted Thoughts #5: Grand Theories Edition

1. Theory of Art: Much of what looks like "selling out" is actually an ageing effect.

2. Theory of Literature: There are, basically, three features of a novel; style, story, character. When an author gets two right and does not mess up the third too badly, the book's fine.

3. Theory of Statistics: The main function of significance tests is to allow researchers to treat coefficients as though they were zero, which simplifies things wonderfully.

22/08/2013

Around the Blogs, Vol. 101: Long Wait, Long List

Because I've been collecting for so long, it's so many links. Because it's so many links, I'm posting it early.

1. If the effect in question was found in a particularly small sample, should that strengthen or weaken your belief in the effect? (Eric Falkenstein) From the same author: A critique of Stevenson and Wolfers' happiness research.

2. Thoughtful, personal essay by Eric S. Raymond about the emotion and cognition of racism.

3. A body-mind theory of lefties and righties (Agnostic)

4. "Annals of Self-Refuting Tweets" (Jeremy Freese presents the American Sociological Association make an ass of itself)

5. Wie intensiv werden die Deutschen eigentlich von der eigenen Regierung ausgespäht? Man weiß es nicht. (Niko Härting) (via)

6. "A conservative estimate is that we’re spending a million dollars per year per terrorist, maybe more – that’s not even counting Iraq and Afghanistan." (Gregory Cochran)

7. The case against (eating lunch) outside (Matthew Yglesias) (via)

8. Matthew Desseem reviews Rififi.

9. Person fixed effects and psychological testing.

10. The theory that Marcia Lucas contributed more to Star Wars' quality than is usually acknowledged. (Fabio Rojas)

11. A discussion of reviewing and reviewers (with a focus on sociology) (olderwoman and commenters)

12. Is US violent crime actually down? Looking at non-police data. (Steve Sailer)

13. "William Boyd’s Taxonomy of the Short Story" (Will Wilkinson)

14. How not to get published. (Andrew Gelman/Brian Nosek, Jeffrey Spies, and Matt Motyl)

15. Getting the priorities straight (Foseti) (on this blog)

16. Male feminists: Demand and supply. (Nick Borman)

17. Real life cases of amnesia that are stranger than fiction. (Christian Jarrett)

18. Season of birth is endogenous (Eric Crampton/Kasey S. Buckles and Daniel M. Hungerman)

19. A model of how the internet works (Marco Arment) (via)

05/07/2013

Pebbles, Vol. 43











DNA Testing and Suspect Strategies

Gregory Cochran writes:
Nowadays, inspired by programs like CSI and NCIS, many students want to become some sort of forensic scientist. The problem is that are very few such jobs. I have heard that there are something like 20 times more forensics graduates than openings. This is not really caused by an overall shortage of crimes, more by a shortage of interesting crimes. When some dirtbag stabs his old lady, after beating the shit out of her for years, caught while still gripping the bloodstained murder weapon, who needs CSI?
Indeed, one of the many big differences between fiction and nonfiction is that crimes in fiction are much more intriguing than crimes in the real world. Or perhaps I should say the portion of crimes that becomes known to the police. Students of crime like to assert that homicides are measured with little error, but nobody knows whether that's actually true, and I've been wondering for a while how many of the young children whose death is ascribed to the mysterious "sudden infant death syndrome" (a label, not an explanation) are actually homicide victims.

Be that as it may, real-world known homicides are rarely of the type with which DNA analysis will help. When a husband kills his wife, you'll hardly nail him by showing that his DNA could be found in their house. Or, closer to Cochran's example, take a case from Hanover that made the rounds in the German newspapers a while back. A German and an Italian got into a fight in a bar over whether Italy had won the World Cup three or four times (an obviously important question given that Germany has won it three times). The Italian went home, got a gun, and killed the other discussant. It seems like a bit of an overreaction on the part of the offender, especially given that he was right. Anyway, no DNA needed.

I wonder, though, whether the threat of DNA testing does help the police solve some crimes. One of the big mysteries surrounding crime is why, in countries in which you are not obliged to give information to the police once you know you're a suspect, suspects still often do. The standard police strategy seems to be to suggest to an interviewee, rightly or wrongly, that they have something connecting him (it's usually him) to the crime, and to further suggest that he can talk himself out of that connection. The possibility of DNA testing might come in handy in this respect, as it can potentially establish that a suspect was at the crime scene. And once he acknowledges that, interrogators have a foot in the door. 

Note, though, that this presupposes that presence at the crime scene is in question, so, again, this effect should be limited. I've never looked into a possible connection between DNA testing becoming available and clearance rates. At the time, though, I seemed to notice something: The typical defendant's strategy in rape cases appeared to change. Before DNA testing, it seems, defendants typically claimed that they did not have intercourse of any kind with the victim. After DNA testing, the standard strategy quickly seemed to switch to claiming that there was intercourse, but it was consensual. If my impression holds up when you look at the data, you could use these changes to estimate the something like the minimum percentage of cases which made it into court in which the defendant should have been found guilty. Someone else do it!

10/05/2013

Around the Blogs, Vol. 96

1. Neurobonkers summarizes the results of a new review on the efficacy of learning techniques (via). Contains link to the full, open-source paper, but that's one long article, that is.

2. If the excerpt presented by Michael Blowhard Esq. is anything to go by, Seamus Heaney's translation of Beowolf into modern English is tasty.

3. How much benefit has the Human Genome Project brought so far? Says Roberts says meh.

4. ". . . the average free-market economist doesn't take the unemployment problem seriously", says free-market economist Bryan Caplan. And he's not happy about it.

26/04/2013

Around the Blogs, Vol. 95

1. The problem with macroeconomics: uninformative data (Noah Smith)

2. In the recent blog genre of Reinhart-Rogoff bashing, Kieran Healy wins the prize. May seem a bit cruel, but that's what you get for using Excel for your data analysis. And a weighting scheme that is so bonkers that people may well think it's politically motivated. But it's mainly for using Excel.

3. Audio of BBC interview with Vladimir Nabokov (presented by Maria Popova). If the answers sound written rather than spoken, that's because they are.

4. How quickly do cultural works depreciate? (Matthew Yglesias)

20/09/2012

Testing vs. Matching and the Attraction of the Aphorism

Don't ask me where it was, but I recently came across an internet comment that dismissed 19th century novels. These novels, the commenter said, traded in aphorisms, such as Tolstoy's "Happy families are all alike; every unhappy family is unhappy in its own way." An interesting question with regard to this statement is whether it's true, and if you want to know, the commenter argued, you should turn to the social and behavioural sciences, not old novels. To him (I think it was a he), 19th century novels were made redundant by the modern social and behavioural sciences like punchcards were made redundant by PCs.

My initial reaction (which I kept in my head) was that if you want to learn about family happiness, you should by all means turn to the social and behavioural sciences; read Tolstoy if you appreciate his language, characterizations, or plots.

But now I’m not so sure that gets to the heart of the matter. I am currently reading Proust’s À l’ombre des jeunes filles en fleurs (in German, mind), and it is full of apodictic statements about how the human mind works. Thing is, these are among the best bits of the novel. What’s going on?

In a different context, Karl Smith writes:
The world is extremely complicated and doesn’t make sense – at least not in the way we want it to. We don’t want to understand the world simply by following some complex routine of intellectual gymnastics. We want it to makes sense intuitively. We want it to bound up in a single completely digestible ball. The world, sadly, does not always comply.

So we build miniature models of the world in our minds – fictions that do make sense. When we run into a part of the world that doesn’t co-operate we either shoehorn our observations into that miniature model or tear through, blogs, articles and books until we find someone who can.

The statement “it makes sense” is, however, a statement about how pleased we are with our efforts to shoehorn observations into our miniature model. It is not a statement about our understanding of the world.

To check our understanding of the world we have to ask not “does it make sense”, but “how would I know if I was wrong?”
“How would I know if I was wrong?” is, of course, the Popperian ideal of Capital-S Science: You try to show that your guess was incorrect; if you cannot show this, you accept that your is correct – tentatively, for the time being. As a measure of caution, you’re biasing yourself against your guess.

The other mode of comparing data to guesses Smith describes is biased in favour of confirmation. This describes how people approach this problem most of the time. For example, there is a study (the citation to which escapes me right now) that looked at doctors diagnosing. The standard procedure seems to be that doctors listen to patients for a while, develop a guess about the problem and then ask follow-up questions in order to confirm that guess.

In other words, the mind uses a particular version of satisficing. If the data and the model match, that’s good enough, and if it’s good enough, that produces a pleasant sensation, like completing another row in Tetris.

I submit that the aphorism works by making sense of disparate data, thereby reducing the need to compute. A bit like factor analysis, if you don’t mind another simile. Reduction of the need to compute produces pleasure. It wouldn’t be hard to come up with a just-so evopsych story about why this should be so.

In contrast, when you’ve internalized Science, you’ve internalized uncertainty, which is unpleasant. This is one reason why reading novels is more fun than doing science.

Of course, testing is a much better way of getting at the truth than matching. But then, novels are not for truth, they're for entertainment.

09/09/2012

Why You Shouldn't Borrow Books from Acquaintances

Sometimes people will suggest that you read a certain book they happen to own. Of course, they won't just recommend anything, but one of their very favourites. They will offer to lend it to you. Should you accept? Perhaps not. Consider:

1. If you're like me, the baseline probability that you will enjoy a given book (film, song, painting) is low: most stuff isn't that good.

2. What's really interesting is not whether it's good, but whether using your time to read that book (watch that film, etc.) will yield more utility than the best of the other possible uses of your time. And there are a lot of interesting books out there that you haven't read yet.

3. Borrowing a book is not like borrowing a hammer or a car. When people offer to lend you a book, they are asking you for an assessment of their soul. Yes, I'm exaggerating, but only a little.

4. It is impossible to simply return a book with a thanks. Try it one time. You will find that you cannot get out of that situation without an assessment of the book.

5. If you loved it, fine. But there is quite a chance that you didn't (see point 1). What now? You can lie, but that's bad, because (a) you don't want to lie, and (b) in order to spin a convincing lie, you might feel compelled to finish the book first, which you don't want to do if you don't like it. Or you might offer a truthful assessment. But remember what that really is an assessment of.

6. If you go for the truth, on top of hurting people's feelings, you'll subject yourself to their reaction to having their feelings hurt. In the present context, this often comes in the shape of interpreting your not liking the book as a defect of yours: "Oh, it was probably too far out for you, right?" "Oh, now I remember, you did tell me you enjoy John Irving. No surprise, then, I guess." Do you enjoy listening to what a mediocre mind you have? I don't.

All of this suggests you shouldn't borrow books from mere acquaintances. If you think a book they're describing sound intriguing, (i) proactively mention how many books are sitting on your shelves, unread ("If only I had more time!"); (ii) get a copy without letting them know. If you enjoy it, tell them about it; otherwise, never bring the topic up again.

What about borrowing books from friends? Chances are that they'll be cooler about it, as they already know that you have a firmly positive assessment of them, and if they were oh so touchy, you might not have selected them as friends. So, should you borrow books from friends? That's your decision, after all, you know them better than I do. But borrowing books from acquaintances? That seems like a bad idea.